The series is a polished genre exercise with characters that feel like predigested tropes.
The episode plays less like an individual segment of the show and more like a long prelude to the two-hour finale.
If Breaking Bad began heading downhill rapidly last week, this week, it lets off the brake, heading into what appears to be the second season’s final act.
Rarely do the gods of network television grant second chances, but ABC’s heart seemed somewhat struck by its 1998 series Cupid.
The more we get to know the people who are behind the scenes on Lost, the more we realize just how much our point-of-view characters are looking in on a battle they will never really understand.
“Better Call Saul” is the kind of episode that made me get interested in television in the first place.
Patricia Arquette’s voice is kind of narcotic.
It allows all of the characters to step back for a second and breathe, something they very much need after the events of the first six episodes.
With the recent demise of the much beloved Battlestar Galactica, this avid TV watcher found himself mourning the loss of its wonderful characters in a way he seldom has before.
Week one’s standout character returns to Paul’s office this week with new complications to her burgeoning disease drama.
The L.A. these officers inhabit looms over them, and with each step they take it presses closer, threatening to consume them entirely.
Father issues are to the Lost flashback what cancer is to a diagnosis on House.
Sensitive and well acted as this new Grey Gardens is, it feels like a wish-fulfillment fantasy that gives Little Edie a happy ending.
“Peekaboo” asks a question that’s been hovering around the periphery of the series since it began and asks it fairly directly.
This series finale episode will probably not go down in TV history as one of the great series finales.
Harper’s Island is a gimmick show in the grand but bargain-budget tradition of master showman William Castle.
The redistricting situation of a few episodes ago finally shows up again, as the proposition will be met with a vote from the board.
The more things change, the more they stay the same.
In the end, Paranormal State uses, whether intentionally or not, the supernatural as a means to deliver therapy.
Michael Emerson maybe has the trickiest part to play on Lost.