Why make cartoon characters out of a cast whose greatest comedic virtue is their natural ability to appear cartoonish?
Too often, an episode’s script feels as if it’s been constructed around a good line rather than a good story.
In some ways, the star of the show is neither Gervais nor Stephen Merchant.
Jay Leno essentially submitted to a demotion when he launched his new primetime show two weeks ago.
America has always felt like a palace built to honor white males.
Billed as the “Drama in the Bahamas,” The Superstars is anything but.
Obsessed tries to be all sorts of things at once, and ends up being an over-produced and manipulative mess.
Heroic qualities are infrequently associated with the name Walter, which is old-fashioned and lacks charisma and dynamism.
Patricia Arquette’s voice is kind of narcotic.
The L.A. these officers inhabit looms over them, and with each step they take it presses closer, threatening to consume them entirely.
In the end, Paranormal State uses, whether intentionally or not, the supernatural as a means to deliver therapy.