The singer has teased a new release date for the set and announced a companion album to boot.
Sometimes the maximalist ambitions of Claire Boucher’s Art Angels overshoot the needs of pop.
The new Green that emerges through these songs is a sort of AME church-derived Liberace.
The album’s original material holds its own alongside the yuletide classics, the standout being the Chris Martin-penned ’Every Day’s Like Christmas.’
The album narrows the scope to Cincinnati and the local music scene that captivated Berninger as an adolescent.
That Garbage’s tour is called 20 Years Queer suggests they’re aware of the progress that’s been made since their figurative coming-out party in the mid ’90s.
Newsom’s vocals—seemingly limitless, but always under control—glide through swirls of piano, harp, and strings that burst forth and fade at random.
The British singer’s new music video opens with a sepia-toned shot of a dusty windowsill covered in mounds of dead flies.
The album is dominated by a mix of hip-hop-infused midtempo jams and equally misguided rock-tinged power ballads.
The concept, naturally, is blackjazz, still as ill-defined as ever, and it’s hard to shake the feeling throughout that Munkeby is up to some next-level mischief.
Anderson discusses her interest in fear, why Amazon.com doesn’t really understand you, and how Heart of a Dog is definitely not just about her dog.
Whatever the end results, Adams at least deserves credit for putting so much effort into 1989’s arrangements.
Song for song, Revival rivals Carly Rae Jepsen’s Emotion for breakout pop album of the year.
It’s as professional and polished an album as this band has produced, running the risk of being labeled safe or predictable.
OMI still feels a certain responsibility to, or at least vested interest in, the music scene that fostered his talents.
In one of the album’s brightest highlights, Janet pays tribute to Michael by channeling the buoyant energy of his Off the Wall-era disco.
On their new album, Blitzen Trapper isn’t afraid to cater to those who yearn for a return to rock’s golden age.
The music video finds the 18-year-old Lorde carvorting with a married man.
As confident as they seem to burrow deeper into their own brand, there remains the edge of paranoia that drove some of their last album’s post-millennial tenser moments.
Powers is blessed with one of the more appealingly idiosyncratic voices in indie rock, a kind of eunuchoid Appalachian warble.
It’s easy to read Every Open Eye as a defiant statement of self-reliance, rising above the bullshit of criticism to live an unfettered life.