The singer has teased a new release date for the set and announced a companion album to boot.
If it’s not as immediately galvanizing as, say, Rising Down, the album lingers.
It’s some kind of minor miracle that no one has ever asphyxiated on glitter at one of Swift’s shows.
It seems strangely appropriate that Cameron Crowe’s upcoming We Bought a Zoo is scored by Sigur Rós frontman Jónsi
Certain artists cry out for the remix treatment more than others, but Lady Gaga is not necessarily one of them.
Fonda absolutely makes the most of Better Days’s scant running time.
Daughtry’s third album reaffirms that the band is defined by competence rather than ambition or creativity.
My Life II…The Journey Continues (Act 1) feels like a corrective, one which intends to restore soul back to prominence.
50 Words for Snow is a success not only because it’s so challengingly bold and peculiar.
With Talk That Talk, Rihanna functions mostly as a brand name to unify the disparate work of a few A-list songwriting teams.
CoCo Beware’s charm lies in its understated and decidedly unintellectual allure.
On Biasonic Hotsauce, Dave Jones’s musical magpie approach has its limitations.
Prince is once again an obvious touchstone on Lindstrøm’s latest.
Whereas many side projects ultimately amount to little more than artistically inert, self-indulgent one-offs, Miranda Lambert’s Pistol Annies is true to her reputation of defying expectations.
The overall result is a messy jumble that, in its inability to find a consistent tone, ends up in a place that hasn’t really been explored before.
Some of R.E.M.’s strongest songs have been omitted in favor of the “part garbage” of the set’s title.
Has there ever been a rapper as charismatic as Drake?
We’ll get a proper debut when Archy Marshall’s ready.
The album works best when the elder Gallagher isn’t ferrying the well-worn Oasis formula.
Tumble Bee is mostly sweet without being cloying, its songs antiquated without feeling outdated.
House Playlist: Guided By Voices, Escort, Carina Round, & Morris Cowan & Duncan Edward Jones
“Doughnut for a Snowman” recalls gentler, laidback numbers like “Peep-Hole” and “King and Caroline.”