Colony essentially approaches Train to Busan’s setup from a 90-degree angle.
For the most part, Mike Myers puts on a good show.
If the film is any indication, the PTA Fan Club has collected enough fees from its members to buy itself a film camera and make their own movies.
The film seems to say less about the power struggle between its main characters than it does about S&M as therapy session.
Imagine Susan Sontag falling in love with Howard Stern.
Haley Joel Osment must have a great PR manager.
Paul Schrader’s approach to the seedy material is unusually gentle, which makes for a particularly uncomfortable viewing experience.
Kathryn Bigelow’s K-19: The Widowmaker is not without allegorical implications.
Luis Buñuel dares his audience to question everything they’ve come to know about morality, savagery, and everything in between.
The film at least acknowledges that the monster pics from the post-Cold War era were less urgent than their sci-fi counterparts.
Rob Minkoff creates an unmistakably adorable, storybook tableau from his colorful use mise-en-scène and symmetrical compositions.
The film’s scares are genuinely terrifying and deliriously unironic.
Its otherwise potent historical discourse is rendered mute by the slightness of LaBute’s romantic and theoretical breath.
Sam Mendes’s latest American yarn, Road to Perdition, is as well-told and every bit as complacent as his American Beauty.
At first glance, the evidence tying Hitchcock to Audiard’s Read My Lips seems purely circumstantial.
Though the opera itself takes place mostly indoors, Benoit Jacquot seems unsure of how to evoke any sort of naturalism on the set.
Talk to Her still finds Pedro Almodóvar pushing a uniquely soulful blend of comedy and drama.
The film plays out more like a Scooby-Doo reunion episode than Germany’s answer to Ocean’s 11.
What Is Cletis Tout? is not some cheap Pulp Fiction knock-off, just fluffy neo-noir hiding behind cutesy film references.
Having escorted her fair share of men through the Gay Underground Railroad, she’s a trailblazer who always comes out on top.
Now that ImClone has brought Martha Stewart back to planet Earth, her superhuman tricks don’t feel quite so superhuman anymore.