Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
It’s a faster, longer, taller Six Flags ride trying to outperform some dinky old thing from Coney Island.
Don’t be surprised to spend the majority of the film checking your watch.
Peter Raymont’s documentary extols the power of truth over fiction.
Crash explores, via interlocking stories, the cultural, racial, and spiritual isolation of Los Angelinos.
Double Dare sheds light on heretofore-unsung women toiling away in a male-dominated segment of the entertainment industry.
The author struggle is heady not so much because of the physical roadblock representative in two directors taking the helm.
It seems to exist in a memory deprivation tank flooded with hyper-saturated recollections and pop-cultural codes.
Nothing here is very fleshed-out, but it really does seem as if Jaume Collet-Serra had a lot of fun making this thing.
The film is effective in the sense that it’s always comforting to see not-so-nice people not getting what they don’t deserve.
Kingdom of Heaven ultimately turns out to be a film about holiness beset by a pedestrian spirit.
Hollywood has been especially harsh on its aging actresses lately.
Three Dancing Slaves suggests a conspiracy of sexual exploit committed against a handsome cast of actors.
Hollywood’s hegemony now stretches to mainstream Russian cinema.
A Hole in One gets brownie points for refusing to play straight and trudging on in spite of flailing helplessly at every turn.
It perceptively details the niceties and nastiness of friendship, romance, and sexual affairs.
Despite its title, XXX: State of the Union is neither pornographic nor political.
Watching this unseemly-looking and self-obsessed film isn’t unlike being trapped in an abusive relationship.
There’s no satire here, none of the self-loathing knock ‘em dead showbiz hatred that fuels much of Martin Short’s freaky persona.
The film quickly becomes a shapeless mess of half-assed intentions and untapped resources.
The film is worse than being simply a lame book adaptation because of its infuriating smugness.