Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
What happens when fiction attacks?
Art docs are the new black.
The film is a disjointed, whirling dervish of utopian ideas and devil-may-care indulgence.
So, tell me what movie ad frightened you?
This is yet another David Ayer story about a murderous psycho with one hand in crime and the other in law enforcement.
In general, Saw III simply peddles gruesomeness of a disgusting rather than frightening order.
Fuck mainly serves as the latest example of the atrocious devolution of mainstream documentary filmmaking.
The tragedy of the film comes from the sense that the horrors of their tragic past may never be fully overcome.
What makes it a riot is Sacha Baron Cohen’s gift for establishing circumstances at once squirm-inducing uncomfortable, slapstick-stupid, and insanely inappropriate.
What Is It? could be a mashup of shout-outs to the films of Buñuel, Lynch, Jodorowsky, Herzog, and Kuchar.
Catherine O’Hara is the rare comic who never plays scenes for cheap laughs, and amazingly bags every one.
At one time, Phil Hall navigated between the worlds of public relations and film criticism, two professions that could not be more dissimilar.
Thirty-four years after Aguirre, The Wrath of God, Werner Herzog remains enthralled by the marvelous, mysterious power of nature.
What makes a great movie monologue?
Flicka is a beautifully photographed slice of pony porn for the preteen set.
Don’t let the fact that visible breath and frosty misery take priority over exploding heads and fetus-licking snow you.
Director Mark Becker is sensitive but never gushing, smart but never aloof, and his use of montage suggests a poet’s imagination.
The film hinges on a superficial gimmick masquerading as a serious examination of contemporary domestic terrorism efforts.
The film is a hybrid of Nacho Libre and Spanglish, and yes, it’s as unbearably cloying and uplifting as that description sounds.
From Whence We Came, So Soon We Will Return: Werner Herzog’s Aguirre, The Wrath of God
The film has a lot to say about the destructive forces wrought upon mankind and nature by people who choose to impose their lunatic visions upon us.