Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
These bucolic 30-year-old ninnies are even more tiresome than the randy little shits the stars played in their breakthrough vehicle.
Jake Goldberger has lassoed a great cast to ham it up in this comical homage to Billy Wilder’s classic noirs.
Alexis Manya Spraic leaves no stone unturned in her exposé of Larry Hillblom.
Easy Virtue gracelessly flattens its creator’s light gifts.
Once the legends hit the stage, the film finds a more comfortable groove.
The film is a studied testament to the splintered state of the gay community.
The film suggests nothing more than an homage to Pretty in Pink or Some Kind of Wonderful.
Exasperating for its mundane narrative of youthful non-courtship camouflaged by Manhattan street-video naturalism.
The film unavoidably devolves into a treatise that, though timely, feels a tad too on the nose.
The latest from the Dogma cine-factory is notable for director Kristian Levring’s visual suggestion of madness.
Even those with a soft spot for 1991’s cult PBS documentary The Dancing Outlaw will likely have a hard time warming up to the doc.
It banks on the sizzle of its pair of young female stars and their enactment of class and erotic tensions to flavor its Sapphic noir melodrama.
Like Gabriel García Márquez, Carlos Sorin creates imagery with sensual exactitude.
An exposé of severe poverty with every trace of glamour carefully removed, the film trains its camera on the poorest of the poor.
Interestingly enough, Atom Egoyan provides his own critique of his dizzying, thematically dense whatsit, albeit inadvertently.
All the world’s a financial transaction just waiting to be negotiated in The Girlfriend Experience.
The film is an unruly beast, always in sync with its out-of-control protagonist.
Th film forgoes campy self-awareness in favor of reverential faithfulness.
Little Ashes is less a film than just a series of bad ideas piled on top of one another.
Armando Iannucci’s debut feature In The Loop carries on the staggering comedic traditions of its source material.