These shows prove the marathon-watching juggernaut’s concern for both quantity and quality.
The randy I’m So Excited got us thinking of other films that take to the skies
You won’t find The Birdcage among our ranks, but you will find Paul Morrissey’s Trash.
Jordan is as inspired by the legacy of his native Ireland as he is driven to push the boundaries of reality.
With expert comic timing and devastating charm, Urie plays an out-of-work gay actor who’s hired to work for Barbra Streisand.
The actor discusses Unfinished Song, and his roles from Bernadette in Priscilla Queen of the Desert to General Zod in Superman II.
Watching Dirty Projectors open for the National is both annoying and edifying.
She’s living proof that you should never presume to know what you’re going to get when you meet an actor.
One of the actress’s killer virtues is her ability to tackle searingly human drama without seeming to take herself too seriously.
We spoke with the director at Cannes about The Congress’s fascinating origins and reception thus far.
Both discuss how the Before saga has ebbed, flowed, and evolved with spontaneity, like life itself.
Anticipating an interview with the actor is a lot like waiting to take a lie-detector test, albeit with the tables turned.
We’ve rounded up 15 movie weddings that—aw, hell—take the cake.
Green has crafted a debut as fresh, intimate, and compassionate as Lynne Ramsay’s Ratcatcher in 1999.
We sat down with Beane in the historic Lyceum theater to talk about his works now playing on Broadway.
This is a cinematically diverse event whose selections take in everything from high art to low trash.
Carruth hopes that Upstream Color’s ending will eventually appear less resolved than its surface suggests.
On our list, the folks in question host game shows, parties, and, yes, troublesome phantom entities.
The director talked about Ryan Gosling, family, fateful collaborations, and how, in art and life, choices mean everything.
Ascher discusses what he learned most from The Shining fans profiled in Room 237 and his own love of Kubrick.
Film archivist Rick Prelinger puts a new spin on the word “interactive” with No More Road Trips?