Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The filmmaker discusses the inherently cinematic quality of women, his fascination with the eyes of technology, and more.
Don’t let her pixie-ish presence fool you; Audrey Tautou, star of Claude Miller’s Thérèse, has quite the wild streak.
Wright talks The World’s End and why it’s so endlessly frustrating to be defined by the films he references.
Whitaker spoke to us about his new film, The Butler, and what he thinks about the current state of black cinema.
Wong explains to us how The Grandmaster engages with the kung-fu films of the past and present.
The actor discusses everything from long-distance running to the burden of wearing a beard in front of his family.
Rewind This!, a nostalgia trip through the heyday of VHS, fondly examines the importance of fandom in the 1980s and beyond.
The actor told me about porn, Gerard Damiano’s Jheri curl, and the shelf life of The Simpsons, all while making me laugh out loud…a lot.
The Prince Avalanche actor spills screwball production secrets about fireworks and impromptu singing.
Swanberg spoke with us about making Drinking Buddies, working with “name” actors, and his love of craft brewery.
The industry legend discusses being an art “leftover” and how exhibitionist porn stars got Lindsay Lohan all shook up.
Golubic sees similarities between the live music space and the work of synching sound to image.
The U.S.-made movies in the festival, perhaps unsurprisingly, reflect the content and range of styles typical of contemporary small-budget American filmmaking.
We’ve compiled a list of the finest film performances delivered by actors this year, at least until this point.
Is Refn for real? That’s what a lot of viewers are going to ask themselves when they exit Only God Forgives.
The singer-songwriter talks about his new album, Brandi Carlile, Post-it notes, and pissing on compost piles.
Piñeiro’s movies function like cinematic tapestries: sudden character changes are treated with brisk disregard, as characters and threads pile up; lines from literary works, read out loud, punctuate the action.
The actor discusses The Hunt, Hannibal, and how he went from “hippie kid” to dancer to Denmark’s biggest sensation.
The actor discusses childhood and how working with his Way, Way Back cast was like playing with the Globetrotters.
Around these parts, we’re pretty partial to Matt Zoller Seitz.