It’s refreshing how some things never change.
The Guest is a colorful mix of intelligence and youthful exuberance.
The all-grown-up Miss Moesha seems to be making her final transition from sitting up in her room to sitting on top of the world.
Here are our predictions for who will win, who should win and who doesn’t stand a chance.
Donelly finds herself smack-dab in the middle of a musical uprising not unlike the kind she helped spearhead over a decade ago.
Todd Haynes’s enviro-disease masterpiece Safe might just be the most terrifying film of the last decade.
Thankfully, Haynes’s film can finally be seen the way it was meant to.
Post-Glitter, can Mariah Carey bounce back?
Capitalizing on Jenny Lo’s re-ignited music career, Epic has issued J to tha L-O, a collection of new and previously unavailable remixes.
Armed with 10 producers, you’d think Minogue would be able to serve up something a little less monotonous.
The album glows when the singer focuses on the unambitious melodies that follow you long after the disc comes sputtering to an end.
Yes, that’s a computer-generated outer space you’re floating through.
Nova’s sugary melodies and bittersweet lyrics are often wrapped in anguish.
As usual, Lady Miss Kier used Dewdrops as a platform for her own social and sexual revolution.
With Living Proof, Cher has single-handedly redefined the meaning of “guilty pleasure.”
Like Williams’s pop offerings, the album is doused with cheeky humor.
Mandy Moore continues to prove she’s one step ahead of the teen-pop pack with the stirring piano ballad “Only Hope.”
New Adventures in Hi-Fi, their last album with drummer Bill Berry, might have been R.E.M.’s last great album period.
Love Is Here is from the bruised heart, the chattering mind, and, well, every place that matters.
The album is a fashionable mix of neo-soul, gooey R&B balladry, and trendy hip-pop.