Autodidact Valérie Donzelli proves that she can make a better Tiny Furniture than Lena Dunham.
Apparently, all that’s needed to quell class warfare in Service Entrance is a little home cooking, a peck on the cheek, and a cheesy line.
Alain Corneau’s 1979 film Série Noire is considered to be one of the best movies based on Jim Thompson’s work.
Iconoclastic British filmmaker and punk auteur Alex Cox is something of a film historian and conservationist.
Leave it to Andrew Lau to drown a staid, fool-proof setup for success in grandiose tragedy and pseudo-significance.
Drive Angry is Patrick Lussier’s latest unambitious but satisfying sleazefest.
As flashy as it looks, FUNimation’s two-disc release is actually pretty frustrating.
Fassbinder’s direct style creates vagueries in the film that become all the more unsettling the longer you consider them.
Martin Lawrence and director Martin Whitesell have kicked the year in bad studio-produced films off with a colossal bomb.
The Lady Hermit is an exemplary wuxia and one that deserves to find an audience for the way its quirks affirm its genre’s unique preoccupations.
The film is a revealing work about the American dream because it envisions it as a painful and seemingly never-ending process.
In spite of a commendably nasty noir mentality a la The Postman Always Rings Twice, Carancho is flat-out underwhelming.
Justified’s first season is further proof that FX is now a major contender for provider of quality dramas and is not to be missed.
Anthony Hopkins’s performance is fun, but by now, seeing him play another wily old Byronic antihero and later a reluctant villain just isn’t scary.
Kino didn’t include that many extras, but the ones they did include are rather good boilerplate features.
Evangelion 2.0 evolves the original show’s central conceit of being alone together with other people in leaps and bounds.
The third entry in the trilogy that made Thai martial artist Tony Jaa famous is a very shaggy dog.
Repo Chick mostly feels tired and more scattershot than usual for Alex Cox.
If you’re TV set and Blu-ray player can handle it, this 3D Blu-ray set of Step Up 3D corroborates the film’s innovative use of 3D.
Sony’s new Hayworth-centric box set runs the gamut of the pin-up queen’s charms and is well worth a look if only to see the newly restored Gilda.