If this movie is truly following the lead of The Hunger Games’s marketing, then you can expect a minimum of a dozen more posters trickling out in the next 12 months.
Guiraudie spoke of his ’70s fixation, his attraction to the mythical, and Stranger by the Lake as existential study.
With the premiere of Looking, Andrew Haigh finds himself at a new standstill.
Writer-director Ron Krauss’s film is wretched long before its odious ulterior motives come to light.
Stein and Willett discuss G.B.F.’s witticisms, its handling of stereotypes, and more.
In keeping his actors on his sober-yet-buoyant plane, Kenneth Branagh presents a convincing romance that doesn’t stall the film’s brisk clip.
We come to it at last.
The most pleasant surprise of this awards season has been the widespread embrace of Her.
Sadly, unlike Tiny Fey and Amy Poehler, we can’t all get what we hope for.
Bell discusses Raze’s politics, its title, her craziest stunts, and the must-sees for anyone visiting her home country.
Believe it or not, we know exactly what’s going to happen at Sunday’s Golden Globe Awards.
It’s practically blasphemous to discount Meryl Streep as a nominee.
Our ballot here will look much different from Oscar’s.
So who else gets screwed?
It gradually reveals a lot of unsavory motives, which ultimately deflate the buoyant virtues on which it had blithely coasted.
We’ve got an exclusive clip from the film, along with the official, just-released poster and trailer.
In a year replete with great trash, American Hustle is the crown princess of the bunch.
He reveals his views on the military and Lone Survivor’s violence, but keeps mum on that Cruise-Wahlberg thing.
A better film would have had the gumption to maintain the poetic bleakness, rather than steer toward what ultimately feels like safe compromise.
What were the common threads among the finest film posters of 2013? Mustaches. Sunglasses.