Like other entities branded “too big too fail,” Nashville threatens to collapse under the weight of its poor investments.
It may be a slight spoiler to say that ABC’s new action drama, Last Resort, isn’t actually a show about a submarine.
A nominally progressive comedy, The New Normal has more gay jokes and regular old racism than Gallagher’s stand-up act.
Alan Ball should leave the handwringing to the kids in Twilight.
Ricky Gervais’s career is beginning to feel a lot like the plot of a Ricky Gervais show.
If this show’s going to succeed, it’s going to have to figure out how to build a slightly more complex inner-life for its protagonist.
Laura Dern’s performance deftly encapsulates every facet of Amy’s sadness, anger, and buffoonishness.
Despite the (largely) fine performances, there’s something a little shallow about American Horror Story.
It has the advantage of a veritable galaxy of stars at its disposal, but all that sparkle too often comes together as a gaudy mess.
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