Garcia’s deadpan critique has become an integral, if not the integral, piece at the heart of Project Runway’s cult success.
The show is a how-to guide for a totally impossible lifestyle, an aspirational fantasy with a perpetually receding horizon.
Over the years, Alan Ball’s ideological commitment to never kicking any supernatural being out of bed has led to some narrative problems.
If Wilfred is going to make it, Elijah Wood and Jason Gann will have to develop some real chemistry and comic rhythm.
TNT’s new alien-invasion series, Falling Skies, might just be the best post-apocalyptic refugee drama on television right now.
The Kennedys presents itself as a perfectly good soap opera, but a particularly sad example of how low political discourse has fallen.
Norm MacDonald is a comedian of moral outrage.
Following from that stunning close-up that opens the show, Game of Thrones does its best work in the close-up mode.
Camelot plays it fast and loose with genre, historical authenticity, and good taste in general.
The Borgias doesn’t want us to think that it’s only about kinky sex or disgusting violence.
The Killing is both new and old, on-trend and deeply unfashionable.
Is it possible for John Stamos to replace Charlie Sheen on Two and a Half Men?
Boring Protagonist Syndrome (BPS) is afflicting more and more television shows every day.
Fred Armisen and Carrie Brownstein satirize their subjects, but there’s always an undertone of sympathy in their portrayals.