Long before Stephen Dorff went Somewhere with Sofia Coppola, he made his screen debut in 1987’s horror oddity The Gate.
I’m a compulsive. It’s no surprise that my list is full of movies about compulsion.
Here’s a conspiracy theory for you: Ishtar is intentionally terrible.
It belongs in the same bucket as another unfairly maligned 1986 mythical fantasy with a bad script, The Golden Child.
Unfortunately, I had to make my escape from Noir City after Friday’s showing of Slattery’s Hurricane, so I missed the final two days of the festival.