If there is a master narrative plan for the show it is the excavation and unearthing of that ineffable essence that makes us human.
Manufactured Landscapes is a film very much aware of its own existence.
To call the Ocean’s films frivolous would be kind, implying that these arduous concoctions are somehow light on their proverbial feet.
Valeska Grisebach’s intimate tale of small-town infidelity maintains some level of interest for the vivid ways in which it sketches in its particular milieu.
I hereby proclaim, for no good reason, May 30th, 2007 as Mac and Me day.
The 60th edition of the Cannes Film Festival has come to a close.
Once “The Gates” are unveiled, Maysles and his team shrewdly phase out most of the negative observations.
We can only curse the heavens for so long.
Lady Chatterley, as it’s titled, is little more than a summa cum laude graduate of the Merchant-Ivory school of Classics Illustrated.
Godliness, so The Air I Breathe finally tells us, is all about the Benjamins.
From the start, Two in One evinces a playful and personal obsession with the dialectics of cinema and theater.
The New Zealand landscape offers mesmeric counterpoint to any and all budgetary limitations.
For the first time there’s a sense that Tsai is treading water, ineffectually replaying themes better explored in earlier works.
We’re entering into this conversation coming from antithetical perspectives.
To all the Halle Berry fans out there: Sorry, I just don’t get it.
CBS DVD in association with Paramount presents the second season of Twin Peaks in near-pristine 1.33:1 hi-definition transfers.
To his credit, Rainer Werner Fassbinder’s highly problematic directorial intentions don’t emerge from the literal nowhere.
By the year 2027, Children of Men’s cult status will be more apparent than ozone.
The mythic and the absurd collide in Ivan Vyrypaev’s Euphoria, every sun-burnished image of which is calculated for maximum, eye-popping effect.
Come for the colors, stay for Gong Li’s performance.