It’s not a terribly good film, but its discovery is worth celebrating.
There’s dancing all right but not a whole lot of charm.
The film’s construction isn’t groundbreaking but the shrill freakshow of talking heads is revealing.
A one and a two with Yi Yi if you haven’t already.
V for Vendetta, unlike the Alan Moore comic from which it’s adapted, is scarily flat.
After a repeat viewing, Caché may make or break your opinion of Haneke—which is just how the auteur probably wants it.
The film powerfully conveys the despicably fictitious ways in which scapegoats are manufactured.
The difference between Eternal Sunshine of the Spotless Mind and The Science of Sleep is the difference between a good pop song and a great punk record.
Director Charles Sturridge performs a delicate operation with this latest Lassie movie.
It didn’t fail at the box office, but there’s no reason you should help launch its DVD afterlife.
These images provide a significant, unparalleled glimpse of Edwardian life during the turn of the 20th century.
Many fine films have been made about boys plying their trade on the streets, none of which appear in this latest Boys Briefs anthology.
The film’s colors are hornied, the score pure sitcom-tinkle, and the plot has the attention span of a telenovela.
João Pedro Rodrigues will not fall to his knees before the cackling god of the Sophomore Slump.
Like Jared Hess before him, director Michael Kang is the new kid on the block who wants to play inside Wes Anderson’s clubhouse.
Paul Morrison’s Wondrous Oblivion might have gone down easier if it weren’t so honeyed.
The film’s story may be slight but Ramón Salazar’s sparkling tribute to an alternative lifestyle and unconventional female beauty is liberating.
In the tradition of South Park’s Al Gore, let us forever describe future films of this breed as “so Syriana.”
The Mostly Unfabulous Social Life of Ethan Green is another step back for the gay community.
Throughout, Jack Black’s accented delivery is consistently and hilariously passionate.