There’s something of an ill-fated air surrounding the films of the Russian directors Elem Klimov and Larisa Shepitko.
The film is a pale imitation of Dario Argento’s early giallos.
The film argues, lucidly and surreptitiously, for the extinction of a country’s outmoded sate of affairs.
This is a startling story of a continent excluded from world trade and wanting to wean itself off foreign aid.
Gans’s Silent Hill is as creepy and fun as the director’s Hollywood calling card, Brotherhood of the Wolf.
Great ensemble acting highlights this Nicole Holofcener movie about mo money, mo problems.
The extras available here hardly need two discs to contain them.
Wait until next month when you can save Shiloh from the discount DVD bin at your local supermarket.
Jennifer Dworkin’s Love and Diane grapples with the feeling that Methadonia is afraid of.
Step Up has better dance moves than any video nominated for a VMA this year.
The most goodhearted children’s film of 2006 barely made a blip at the box office, but you can save it now that it’s on DVD.
An artful but soulless stunt in the tradition of Miller’s Crossing.
If a 2.35:1 anamorphic widescreen transfer isn’t in the film’s future, this is now the definitive edition of Coppola’s seminal war epic.
Give a chance to L’Enfant, because more so than any film released this year in the United States, it deserves it.
Fans of the film will want to opt for the Nordisk Region 2 disc, which boasts better image quality and actual extras.
The film is scary all right, usually for all the wrong reasons.
Kevin Willmott’s alternate American history isn’t consistently gripping but its contemporary relevance is striking.
The underrated Don’t Come Knocking is possibly Wenders’s best film since Paris, Texas.
This is the most dubious animation since Robert Zemeckis’s creepy The Polar Express.
The film materializes and soars out of a splendiferous, almost sci-fi ether.