Kumaré has a premise that could’ve been the launching point for one of Sascha Baron Cohen and Larry Charles’s satirical outrages.
The odd, uneven John Carter is better than you’d expecting, but it’s still an unwieldy collection of mostly half-realized dreams.
Knockdown reduces the American film noir to its singularly least appealing characteristic: macho self-pity.
A savage action movie that somehow manages to preserve the heart of the Bard’s work while reducing his words to devastating shards.
Wish Me Away means to say Be Who You Are, but it inadvertently says If You Insist on Being Who You Are Here’s How.
Kinji Fukasaku’s Battle Royale has a premise that promises a naughty, maybe even subversive, smashing of taboos.
Time has revealed one of the best American films of the 1990s to be less a meta comedy and more a despairing satirical horror film.
The documentary is briskly paced, often compelling, but a little soft, as it succumbs to hero worship.
A film deeply concerned with class resentment, but the filmmakers’ attitude toward their titular character is disconcerting and even shocking.
Some will find You Are Here compelling, but underneath the riddles it’s basically a self-important proclamation of “Who the hell knows?”
There’s a self-seriousness to most contemporary horror remakes that’s authentically disgusting.
The title is the only amusing thing about this dull work of nunsploitation cinema.
Restless City is an expressive and deeply felt collection of sequences structured around the theme of isolation.
#ReGeneration acknowledges the matrix, but it denies the existence of a very real and potentially nurturing Zion.
One of the most haunting films concerning the unending reverberations in the wake of a small-town atrocity ever made.
A beautiful transfer by Dark Sky Films of one of the best horror films of the last few years.
The fun Mission: Impossible – Ghost Protocol could’ve been better, but the Blu-ray is outstanding.
Despite its various flights of inspiration, The Ricky Gervais Show is too settled into a predictable groove.
Portrait of Wally is a testament to art’s baffling ability to somehow encapsulate everything and nothing of life at once.
Inside Hana’s Suitcase is a film about the Holocaust that marginalizes the one person in the film who could tell us about the Holocaust.