Waxwork is thankfully free of The Cabin in the Woods’s smugness.
Monstrosity, terror, and horror all correspond in some way to chaos in its old-fashioned sense and with chaos in its scientific sense.
Phoned-in portent and feigned profundity form the basis of each of the seven interlocking narratives that comprise Cloud Atlas.
So, apparently David Lynch has added film promotion to his post-Inland Empire activities.
David Lynch is a filmmaker who has haunted my mind since the first moment I saw one of his films.
In David Lynch’s Dune, we have a pseudo-scientific articulation of the artist’s unique way of seeing the world, and of remaking it.
Some may complain that his work is too esoteric, but it’s unsettling, because it it’s more familiar than we’d like to admit.