At the core of 96 Minutes is Dre, the film’s only source of real, relatable emotion, thanks in large part to a compelling performance by Evan Ross.
Natalia Almada captures the rhythms of daily and nightly life in a Sinaloa cemetery in a quiet flow of images that gains power with surprising speed.
El Atentado resonates with hypnotic flourishes of memory that are often inconsistent and contradictory.
Where do collective memories come from? From faded photography, and skewed reviews?
Specific? Sure. But there’s nothing small about this deeply felt coming-of–age story.
“Stolen Dog” effectively balances ambient and trance atmospheres.
So try this scenario on for size: You’re just a regular guy who likes to look at porn on the Internet.
Curling is a psychological study that refuses to go deeper than what the naked eye can detect.
Madly in Love is a film with the song and dance touch of Bollywood but set in Switzerland.
James Gunn is uninhibited about juxtaposing different tones and styles together in Super.
Tyrannosaur never convincingly justifies its pessimistic gender-warfare worldview.
According to Chandor’s logic, most of these characters are blameless victims by the time Margin Call takes place.
Okay, the gripes are gonna come out first.
Turkey Bowl is a comedy with a great ear for dialogue and a cast strong enough to make you wonder how much of it was improvised.
The film is a portrait of life in Bizarro World that’s impossible to look away from.
Green contains enough skill and vision to suggest possible triumphs ahead.
His is a cinema populated with men who wince as they unload the barrels of their mouths.
The film exudes the confidence of an artist willing to risk driving its audience up a wall in order to realize a defiantly unique personal vision.
Silver Bullets ranks as Joe Swanberg’s most intimate effort to date.
Different types of zombies walk among us.