The episode manages to set up future conflicts without interrupting its rapid pace.
The premiere of Insecure provides the bones and plotlines upon which the season will stand.
As of the latest episode of Twin Peaks: The Return suggests, the darkness seems to be winning.
Even after six seasons, Game of Thrones still doesn’t know what’s most important to its own story.
The episode’s frequent matched pairs and expository repetitions seem to draw attention to themselves.
Showrunner Steven Moffat caps off not one, but two story arcs which have run through the entire season.
The latest episode of Twin Peaks is a delirious descent into the murky matrix of material existence.
Silicon Valley constantly draws on and deepens our understanding of its characters.
Whatever happens next week, for the moment the Doctor appears to have lost everything.
And so it is that RuPaul’s Drag Race recappers are tasked to write about the season finale on the first night of Pride celebrations.
The episode uses David Lynch’s abiding preoccupation with mirror imagery as an often subtle structural device.
This is a beautifully constructed bottle rocket of an episode, shooting out a cascading shower of comic sparks.
It’s time for the series to push beyond thematic foreplay and embrace the flawed and terrifying present tense.
Jealousy and resentment are thick in the air and RuPaul gets on his soapbox about everyone-gets-a-trophy culture.
The episode establishes an ominous atmosphere right from the start of the present-day framing sequence.
Many of the events in the latest episode of Twin Peaks seem to depend on the toss of a coin.
Silicon Valley’s humor springs organically from the relationships between its well-rounded characters.
In the midst of its social outrage, American Gods has made room for a warped and modern romantic comedy.
The episode is a successful standalone adventure which combines elements from two earlier stories.
RuPaul’s Drag Race has now put itself in a position to bloviate on the merits of its finalists.