The episode takes a break from the hatchet-faced military strategizing and obligatory slicing and dicing.
The main strength of the episode, like that of The Walking Dead as a whole, is its visuals.
The episode hurtles forward without giving its characters a chance to reconsider their positions.
A melancholy air blows through every haunted frame of Hong Sang-soo’s On the Beach at Night Alone.
Kaurismäki rhymes his characters’ feelings of alienation to the mise-en-scène’s pastel blues and decaying browns.
Guadagnino’s film proves affecting as a chronicle of a young man learning to embrace his more emotional side.
The sly head-fake that opens The Walking Dead’s latest episode throws us effectively off balance.
The latest episode of Homeland is clear, measured, and deliberate in its critique of American policies.
In The Dinner, writer-director Oren Moverman wastes no time in establishing a tone of grandiose scabrousness.
Compared to its predecessor, director Danny Boyle’s T2 Trainspotting is a relatively aimless and sedate experience.
At the Tiradentes film festival, a major artistic shakeup takes place that reflects Brazil’s contemporary zeitgeist.
The film’s crucial shortcoming is its failure to illuminate both the inner life and artistic genius of Django Reinhardt.
The episode demands that its characters question their ends-justifying-the-means ways.
The latest episode of Homeland proves the series is all too comfortable playing the long game.
Homeland’s season-six premiere provides a plausible dissent and voice for those who’ve been silenced.
Some skillful writing diverts attention from the fact that this is a rather oddly structured episode.
Mister Universo is designed, shot, and edited like a feature but, in fact, made from the stuff of nonfiction.
We Are the Flesh evokes human desire, unfettered by social mores, as the supreme expression of all the world’s evil.
The midseason finale of The Walking Dead’s was as bleak as ever, but it closed on a major note of hope.
You can experience the festival from beginning to end without leaving the island of Zamalek.