Some may complain that his work is too esoteric, but it’s unsettling, because it it’s more familiar than we’d like to admit.
And that’s the end of that.
There’s nothing inherently wrong with the ad-hoc approach to long-form storytelling.
The episode wasn’t a total waste, as it did contain two genuinely shocking developments.
After almost three full seasons it’s now abundantly clear that most of the characters’ suffering can be traced to a common source: problem fathers.
I’ve finally begun to sympathize with the show’s writers and producers.
There seems to be more Lost doubters than usual these days.
It was inevitable that after two consecutive strong outings, Lost would backslide into more familiar and frustrating territory.
The episode found the series playing around with form in provocative ways.
Even the flashback this week was informative.
Once upon a time, Kate was a favorite character of mine.
Call it a coincidence, call it karma, call it the weirdest grand design imaginable.
I’m still unconvinced by Heroes, but the series certainly knows how to construct a cliffhanger.
One of the things that makes Lost such a trying viewing experience is its frequently lazy narrative shortcuts.
Now in the third episode of the new season, Lost appears to be hitting its stride.
Don’t be surprised if it turns out Sun is pregnant with Hurley’s love child.
And I thought they got rid of that damn hatch.
The episode feels like a summation of the show’s thoughts on what it means to be mortal.
Often Lost’s greatest failing is the way it shoe-horns in extraneous flashbacks to pad-out the run-time.
The feeling of déjà vu in “Three Minutes” permeated beyond the recycled footage.