One of the more enervating things about Lost is the way that it will occasionally mistake name checking, say, a famous philosopher for depth.
One of the things that makes “Namaste” so much fun is the way it convolutes itself within the timeline we’ve already seen.
Let us now sing the praises of Josh Holloway and Elizabeth Mitchell.
The structure of “Life and Death” is pretty predictable once you get into the swing of it.
For the first time this season, we feel completely stymied by Lost.
It almost feels silly to complain about how overstuffed an episode was when all of the stuff going into it was as compelling as what happened in “This Place Is Death.”
There’s a deal we make, we Lost fans and appreciators.
In so many ways, this latest episode is Lost at its best.
I suspect when all is said and done that the history of Lost will cleave it pretty neatly into two different shows.
I started out 2008 as a paid TV critic with a happily stable and sedate personal life that rarely edged into something all that exciting.
Two months after the crash of Oceanic 815, all aboard are found dead in the wreckage in a deep trench near Bali. Or not.
With Lost’s fourth season running only eight episodes, any rescue looks unlikely.
Those looking for definitive answers from their television viewing have probably long given up on Lost.
“Greatest Hits” is the closest Lost has come to a perfect episode since its pilot.
Like the show’s viewers, Locke is justified in his cynicism, even after bearing witness to a seemingly paranormal event.
Lost’s viewership is more savvy than most.
Sun and Jin’s entire relationship can be distilled down to maintaining appearances.
Lost doesn’t just name check the pop culture phenomena that have inspired and co-exist with it.
Another episode of Lost, another con artist in our midst.
A common knock against Lost is how much of a boy’s club the show is.