The Switch remains another easily disposable entertainment built out of the rubble of a promising literary prospect.
Due Date eventually settles into a rough if credible buddy film, one that at least washes off the stink of its initial nastiness.
What you see is unfortunately all of what you get.
Jason Bateman’s deadpan moroseness brings consistent humor to his character’s struggles.
A solid DVD release of a terrible, terrible movie.
The film is a nasty, soulless celebration of everything cool and romantic about violence.
There’s a lot of underlying potential here, but there seems to have been no one around to whip it into shape.
If grief were as easily overcome as it is in Catch and Release, Prozac sales would be in dire trouble.
Aurora Borealis bites Good Will Hunting and Donald Sutherland feels most of the sting.
Daltry Calhoun proves to be as slight as a blade of grass—and, unfortunately, about as intoxicating as the legal kind.
The video and features collected on this Cold Creek Manor are nowhere near as audacious as the perpetually half-naked Stephen Dorff.
Judging by Todd Phillips’s tired Starsky & Hutch, it appears that ’70s nostalgia has finally run its course.
The film is neither as funny as it should be nor is it as mysterious as its initial self-reflexivity would have you believe.
The drama has been seemingly extracted from all sorts of domestic abuse manuals and pamphlets and the result is strangely akin to a Lifetime see-Jane-run procedural.
An unfortunately lightweight DVD package for one of Allen’s greatest moments.
Woody Allen understands the emotionally fragile and confusing period after a breakup.