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Poster Lab: The Master

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Poster Lab: The Master

Poster designer Dustin Stanton has a history with Paul Thomas Anderson, devising the ad for the director’s Punch-Drunk Love while working with BLT & Associates, and creating the unforgettable one-sheet for There Will Be Blood while employed by Concept Arts. Now an independent artist, Stanton has been followed by his auteur collaborator, and has easily outdone himself with the poster for The Master, Anderson’s forthcoming sixth feature. Focusing on a drifter (Joaquin Phoenix) who, in the early 1950s, finds apparent salvation from alcoholism and malcontent with a budding religious group, the film is served well by Stanton’s glass-half-full approach, which implies a skepticism about the drifter’s turning point, and seems to question whether or not his saviors’ murky world is indeed better than his own. There’s a host of meanings one could ascribe to this handsome image, which easily sits in the top tier of 2012 film posters. Stanton first marries the elements of liquor and the sea, as the cultish group reportedly gets its start on a boat (where much of the film takes place). There’s also the dichotomy between Phoenix’s bobbing-through-life apprentice and his titular mentor (Philip Seymour Hoffman), whose credibility may just be going down by the head. And if you care to take the bait, there’s always the matter of the title itself, which seems an incidental reflection of Anderson’s ego.

This is the third Anderson teaser poster to be dominated and largely defined by text, following There Will Be Blood’s gothic book cover and Magnolia’s dictionary-style font, which sits atop the now-iconic sight of falling frogs. Like the latter, the ad for The Master employs a visual theme of descent, leaving uncertain if it’s a fall from grace or a drop into betterment. If the new film’s painterly trailer is any indication, it’s likely that both scenarios apply, as Phoenix’s character seems as distraught after imbibing his master’s medicine as he does rudderless before the two meet. Or is this fictitious shot of a fine vintage merely a representation of life being sucked out, like a serum being pumped from a syringe? With the reverse also possible, i.e. poison being removed, Stanton’s work may be the most simply loaded of its kind since last year’s rumpled Shame sheets.

Apart from its appearance as one of the most artful and enticing films on the 2012 slate, The Master is generating much of its buzz from a Scientology controversy, as the movie’s plot holds uncanny parallels to the early days of L. Ron Hubbard (the boat setting applies, as does the post-World War II era and Amy Adams’s character, Mary Sue, the name of Hubbard’s wife). Members of Hubbard’s eccentric following have voiced outrage about the film, particularly over dialogue that claims Hoffman’s preacher “makes things up as he goes along.” It’s a line that apparently rattled Tom Cruise, Anderson’s pal and Magnolia Oscar nominee, for whom an early cut of the film was screened. Cruise’s recent headlines can only be good for The Master, which, in turn, will likely be bad for Scientology at large, capping off a year that’s placed the religion under a highly judgmental microscope. If the speculations are true, and Anderson does intend for his latest to be an unofficial, skewering biopic, then there might not be much ambiguity about this poster after all. In the end, what it depicts might not be the layered plights of a man, but the final draining down of Scientology’s mystique.

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Watch: The Long-Awaited Deadwood Movie Gets Teaser Trailer and Premiere Date

Welcome to fucking Deadwood!

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Deadwood
Photo: HBO

At long last, we’re finally going to see more of Deadwood. Very soon after the HBO series’s cancellation in 2006, creator David Milch announced that he agreed to produce a pair of two-hour films to tie up the loose ends left after the third season. It’s been a long road since, and after many false starts over the years, production on one standalone film started in fall 2018. And today we have a glorious teaser for the film, which releases on HBO on May 31. Below is the official description of the film:

The Deadwood film follows the indelible characters of the series, who are reunited after ten years to celebrate South Dakota’s statehood. Former rivalries are reignited, alliances are tested and old wounds are reopened, as all are left to navigate the inevitable changes that modernity and time have wrought.

And below is the teaser trailer:

https://www.youtube.com/watch?v=tAcftIUE6MQ

Deadwood: The Movie airs on HBO on May 31.

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Watch: Quentin Tarantino’s Once Upon a Time in Hollywood Gets Teaser Trailer

When it rains, it pours.

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Once Upon a Time in Hollywood
Photo: Columbia Pictures

When it rains, it pours. Four days after Quentin Tarantino once more laid into John Ford in a piece written for his Beverly Cinema website that saw the filmmaker referring to Ford’s She Wore a Yellow Ribbon as Tie a Yellow Ribbon, and two days after Columbia Pictures released poster art for QT’s ninth feature that wasn’t exactly of the highest order, the studio has released a teaser for Once Upon a Time in Hollywood. The film was announced early last year, with Tarantino describing it as “a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood.”

Set on the eve of the Manson family murders, Once Upon a Time in Hollywood tells the story of TV actor Rick Dalton (Leonardo DiCaprio) and his stunt double, Cliff Booth (Brad Pitt), as they try to get involved in the film industry. The film also stars Margot Robbie (as Sharon Tate), Al Pacino, the late Luke Perry, Damian Lewis, Dakota Fanning, Emile Hirsch, Timothy Olyphant, Kurt Russell, and Bruce Dern in a part originally intended for the late Burt Reynolds.

See the teaser below:

https://www.youtube.com/watch?v=Scf8nIJCvs4

Columbia Pictures will release Once Upon a Time in Hollywood on July 26.

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Watch the Stranger Things 3 Trailer, and to the Tune of Mötley Crüe and the Who

A wise woman once said that there’s no such thing as a coincidence.

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Stranger Things 3
Photo: Netflix

A wise woman once said that there’s no such thing as a coincidence. On Friday, Jeff Tremaine’s The Dirt, a biopic about Mötley Crüe’s rise to fame, drops on Netflix. Today, the streaming service has released the trailer for the third season of Stranger Things. The clip opens with the strains of Mötley Crüe’s “Home Sweet Home,” all the better to underline that the peace and quiet that returned to the fictional rural town of Hawkins, Indiana at the end of the show’s second season is just waiting to be upset again.

Little is known about the plot of the new season, and the trailer keeps things pretty vague, though the Duffer Brothers have suggested that the storyline will take place a year after the events of the last season—duh, we know when “Home Sweet Home” came out—and focus on the main characters’ puberty pangs. That said, according to Reddit sleuths who’ve obsessed over such details as the nuances of the new season’s poster art, it looks like Max and company are going to have to contend with demon rats no doubt released from the Upside Down.

See below for the new season’s trailer:

https://www.youtube.com/watch?v=YEG3bmU_WaI

Stranger Things 3 premieres globally on July 4.

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