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HND@Grassroots: Season 2, Episode 7 (25), “Oscar (sic) Schindler’s Cock Glove”

We’re back like Death Metal Disco and thrice as evil.

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HND@Grassroots: Season 2, Episode 7 (25), “Oscar (sic) Schindler’s Cock Glove”

Hello Dear Non-Listeners!

We’re back like Death Metal Disco and thrice as evil. But this time, we’re bringing in the big guns—ok, fine, our imported guns—as we recorded on the Fifth of November with Faisal A. Qureshi (Nerve’s Screengrab among other things). As for the annoying buzzing noise during the first ten minutes, that is what happens when your co-host keeps fiddling with his cellphone next to the recording device.

This episode is our minor tribute to the late Michael Crichton. We think back to previous works like Jurassic Park, as well as directorial efforts such as The Great Train Robbery and—shockingly—Runaway. Of course, it all devolves into weird praise for Kirstie Alley, Vadim grumbling about something or other, and me ignoring W. for a second week. At the same time, we learn why Faisal came to a podcast that he wasn’t even aware of! (Kidding.)

Lo, this is Episode 7—“Oscar (sic) Schindler’s Cock Glove.” Thanks again to our guest, who went on with us to our second favorite bar—Holiday Cocktail Lounge—and was pleasantly surprised by the scum-like surroundings we like to inhabit.

Join us next time when Mike D’Angelo comes back to talk Afterschool and if you see either Vadim or me at the bar, please, buy us a drink! And give us jobs if you work for The Onion. John Lichman



John Lichmanis a freelance writer who contributes to The Reeler, Primetime A&E [print only] and anyone with cash. He works odd jobs to afford his vices, sleeps on couches and can drink Vadim Rizov under a table.

Faisal A. Qureshi’sgot an Amazon profile.

Vadim Rizov is a New York-based freelance writer. His work has appeared in The Village Voice, The Onion A.V. Club and Paste Magazine, among others.

Keith Uhlich is editor of The House Next Door.

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Let Your Sanity Go on Vacation with a Trip to the Moons of Madness

If you dare, ascend into the horrors of the Martian mind and check out the trailer for yourself.

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Moons of Madness
Photo: Rock Pocket Games

The announcement trailer for Moons of Madness opens with an empty shot of the Invictus, a research installation that’s been established on Mars. The camera lingers over well-lit but equally abandoned corridors, drifting over a picture of a family left millions of kilometers behind on Earth before finally settling on the first-person perspective of Shane Newehart, an engineer working for the Orochi Group. Fans of a different Funcom series, The Secret World, will instantly know that something’s wrong. And sure enough, in what may be the understatement of the year, Newehart is soon talking about how he “seems to have a situation here”—you know, what with all the antiquated Gothic hallways, glitching cameras, and tentacled creatures that start appearing before him.

As with Dead Space, it’s not long before the station is running on emergency power, with eerie whispers echoing through the station and bloody, cryptic symbols being scrawled on the walls. Did we mention tentacles? Though the gameplay hasn’t officially been revealed, this brief teaser suggests that players will have to find ways both to survive the physical pressures of this lifeless planet and all sorts of sanity-challenging supernatural occurrences, with at least a soupçon of H.P. Lovecraft’s cosmicism thrown in for good measure.

If you dare, ascend into the horrors of the Martian mind and check out the trailer for yourself.

Rock Pocket Games will release Moons of Madness later this year.

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Watch: Two Episode Trailers for Jordan Peele’s The Twilight Zone Reboot

Ahead of next week’s premiere of the series, CBS All Access has released trailers for the first two episodes.

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The Twilight Zone
Photo: CBS All Access

Jordan Peele is sitting on top of the world—or, at least, at the top of the box office, with his sophomore film, Us, having delivered (and then some) on the promise of his Get Out. Next up for the filmmaker is the much-anticipated reboot of Rod Serling’s The Twilight Zone, which the filmmaker executive produced and hosts. Ahead of next week’s premiere of the series, CBS All Access has released trailers for the first two episodes, “The Comedian” and “Nightmare at 30,000 Feet.” In the former, Kumail Nanjiani stars as the eponymous comedian, who agonizingly wrestles with how far he will go for a laugh. And in the other, a spin on the classic “Nightmare at 20,0000 Feet” episode of the original series starring William Shatner, Adam Scott plays a man locked in a battle with his paranoid psyche. Watch both trailers below:

The Twilight Zone premieres on April 1.

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Scott Walker Dead at 76

Walker’s solo work moved away from the pop leanings of the Walker Brothers and increasingly toward the avant-garde.

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Scott Walker
Photo: 4AD

American-born British singer-songwriter, composer, and record producer Scott Walker, who began his career as a 1950s-style chanteur in an old-fashioned vocal trio, has died at 76. In a statement from his label 4AD, the musician, born Noel Scott Engel, is celebrated for having “enriched the lives of thousands, first as one third of the Walker Brothers, and later as a solo artist, producer and composer of uncompromising originality.”

Walker was born in Hamilton, Ohio on January 9, 1943 and earned his reputation very early on for his distinctive baritone. He changed his name after joining the Walker Brothers in the early 1960s, during which time the pop group enjoyed much success with such number one chart hits as “Make It Easy on Yourself” and “The Sun Ain’t Gonna Shine (Anymore).”

The reclusive Walker’s solo work moved away from the pop leanings of the Walker Brothers and increasingly toward the avant-garde. Walker, who was making music until his death, received much critical acclaim with 2006’s Drift and 2012’s Bish Bosch, as well as with 2014’s Soused, his collaboration with Sunn O))). He also produced the soundtrack to Leos Carax’s 1999 romantic drama Pola X and composed the scores for Brady Corbet’s first two films as a director, 2016’s The Childhood of a Leader and last year’s Vox Lux.

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