The album sees the singer-songwriter moving in a different direction.
The rapper-singer’s first album in 30 years exists in its own out-of-time universe, where Brit-pop, pop-rap, and disco coexist.
For Eno, late adulthood doesn’t just bring forth new perspectives on humanity or the universe at large, but on one’s own existence as well.
Helen Ballentine’s debut offers copious moments of hushed self-reflection and aching sadness.
Paramore attracted one of the biggest crowds at ACL, putting on an electrifying set.
We took in over 100 performances across nine different stages and narrowed down the 10 best sets.
Since the rappers seem so averse to innovating their sound, perhaps a more fitting title for the album would be Culture 3.5.
The album is quaveringly beautiful and intimate, reflecting the deeply personal nature of its songs.
The album is a collection of occasionally catchy dance-floor filler, but it’s burdened with a concept that feels under-explored.
Most of the material on the singer’s second album fails to connect on an emotional level.
Madonna helped pioneer the music video as not just an essential marketing tool, but a legitimate mode of artistic expression.
The EP sees the Canadian experimental hardcore punk outfit paring down some of their more elaborate tendencies.
For those willing to go along for the turbulent 13-track ride, the album ranks as one of the rapper’s most exciting releases to date.
We ranked all 10 of the Icelandic singer’s studio albums, from 1993’s Debut to 2022’s Fossora.
The band’s gift for conjuring up new forms of auditory mayhem is the real star of the show.
Even with all of its expensive-sounding beats, the album is frustratingly unambitious.
The album’s emotional ballast is interrupted by songs that either feel too underdeveloped or frustratingly over-worked.
The rapper’s sixth album finds him getting defensive before the first track’s drum kick even drops.
Cam’ron is content to take a victory lap, often restating his now decades-old accomplishments.
The band’s first album in nine years sounds unmistakably contemporary without veering into flavor-of-the-month pandering.
The title of Gee’s first studio album indicates his continuing disassociation from his emotions.