We ranked the Queen of Pop’s discography, from her self-titled debut to Confessions II.
Its adventurous scope serves to further expand the mythos behind the band’s ego-fueled, drug-addled, socio-religious musical experiment.
Stars Dance is a lazy, bloated, and occasionally offensive album that lacks any remnant of personality or creativity.
Rather than shift back and forth in mood and tone like on their previous effort, Lenses is surprisingly coherent.
House Playlist: Yuck, Earl Sweatshirt, Colette, Crystal Stilts, & Keep Shelly in Athens
Yuck has unveiled the lead single from the follow-up to their acclaimed self-titled debut.
The singer-songwriter talks about his new album, Brandi Carlile, Post-it notes, and pissing on compost piles.
Moby makes his directorial debut with the music video for “A Case of Shame.”
We took a look back at Babyface’s impressive list of hits and picked our 15 favorites.
Goldfrapp kicks off a tour in support of the album at the Manchester International Festival today and tomorrow.
With Electric, the Pet Shop Boys have once again given themselves a lease on another era.
Open, unironic disco revivalism very often threatens to tumble into a 4/4 uncanny valley.
The Big Dream is briefly amusing, consistently strange, but rarely resonant.
Rather than shift back and forth in mood and tone like previous efforts, Fantasy is surprisingly coherent.
Vicissitude fails even as inconsequential background music.
New York duo MS MR has unveiled the music video for their new single, “Think of You,” a standout track from their debut album.
As a collection of potential singles from an artist who should have more #1’s, Ciara is a modest, calculated effort.
Don’t Look Down is a vaguely hip-hop-inflected homage to ’90s pop, not so much uninteresting as underwhelming.
Thundercat’s Apocalypse is mostly rooted in the lethargy of his likable but often too-static production style.
Hoary and pompous, Magna Carta definitively signals the rapper’s shift toward creative insignificance.
Stills’s capricious spirit is ultimately its greatest strength and its most glaring fault.
The music video for the third single from Timberlake’s The 20/20 Experience is most definitely Not Safe For Work.