The film affects a nondenominational fugue state, where everyone is part of God but free of the pressures of groupthink.
Not since Last Tango in Paris has a film so ravishingly explored the many fine connections between desire, physical intimacy, and romance.
Martin Scorsese celebrates his passion for early Italian cinema with My Voyage to Italy.
Neal Slavin’s adaptation of Arthur Miller’s novel Focus is a specious study of mistaken identity.
Eyes will roll, hearts will melt; just in time for Christmas.
Alfonso Cuarón’s Mexican rendition of Jules and Jim is as playful and politically scatterbrained as Truffaut’s Nouvelle Vague classic but has the raunchier upper hand.