Refn discusses his love of fairy tales, falling through the rabbit hole of streaming, and more.
The focus of Whit Stillman’s film is a psychologically authentic and painfully parasitic female relationship.
Big Fan often feels stock, with its main character just the latest in a long line of delusional, volatile do-nothings.
With his beefy head and saturnine manner, Mason was most himself on screen when he was spewing disgust.
The film dissects the intersection of two men’s lives in the aftermath of wartime and sectarian conflict.
The entire film looks as though it was cautiously filmed from a great distance.
Casi Divas is a send-up of telenovela culture with a serious case of social consciousness.
Passing Strange is the kind of show that makes you want to get on your feet, jump around, and make noise.
The film is impressively compact in its storytelling and visually sumptuous despite a budget of pocket-change proportions.
X Games 3D: The Movie does little more than offer stunning three-dimensional views of the titular annual competition.
The House Next Door is proud to present the first trailer for Preston Miller’s new feature film, God’s Land.
Renée Zellweger makes a concerted effort portraying Ann as charming and sympathetic even as the narrative fails to justify either quality.
Shot with CW-level aptitude and inclined to end scenes on awkward comedic or dramatic beats, Post Grad haphazardly synthesizes moments of levity with gravity.
Day sixteen is easily, without a doubt, the worst and most painful day of shooting on God’s Land.
Pixar has somehow gone from a well-liked animation studio to the last, best hope of the Hollywood studio system.
Beeswax’s excess of ambition does not suit Bujalski’s modest but effectively unvarnished style.
Tarantino’s public face says one thing, his movies say another.
With Playtime, Jacques Tati made one of the most fully inhabitable films ever.
Instead of letting the puzzle pieces organically reveal themselves, Neill Blomkamp simply takes an easy shortcut.
To hear the advertising executives and creative directors in Art & Copy tell it, the ad game is a thing of wonder.
Luckily, Edel can direct an action scene, his spotty oeuvre notwithstanding.