Hud is a mournful lament for a passing of a way of life and a meditation on the ways forward.
Perennial modernist Alain Resnais enters old-man-cinema territory with grace and style.
Maurice Pialat was, by all accounts, a difficult man.
Conrad Veidt is the original innocent with dirty hands in this memorable bit of Germanic arcana.
The transfer on this release is as tight as 25-year-old French ass wearing a new pantyless girdle.
An essential set of big-ticket Joan Crawford films.
The film is still able to ironically laugh at the savagery and stupidity happening in our world right now.
I’m not going to lie: With these movies I expected the Lubitsch touch to at least cop a feel.
The four Ernst Lubitsch musicals collected in this box set mark a transitional period in his work.
You’ve got to give Lionsgate credit for putting a spotlight on Godard’s later, grumpier works.
Don’t watch the trailer on the extras, because like so many of these low-budget shockers it shows all the best parts in advance.
The Aristocats is not jazz.
The film has a broad appeal to cultural anthropologists, ironic hipsters, bad movie buffs, and chauvinist pigs.
Today’s episode of softcore melodrama has been brought to you by Pamprin, Love’s Baby Soft, and Diet Slice.
The series is direct and unconfrontational, but also uninsightful.
A deluxe DVD package to match the grandeur of Mann’s admirable epic.
Varda weaves together a film about the communal voice that forms among people.
The film isn’t the prototypical feminist classic chronicling a woman’s journey from submissiveness to assertiveness.
The film emerges as a harsh critique of free love, as well as an empathetic exploration of its allure.
A robust overview of Frankenheimer’s most vital years, despite the recycled extras.
The restored anamorphic transfer looks quite good and vivid despite the occasional scratch and some pale skin tones.