Ghosts in the machine, indeed.
“Shuffle” rekindles the dynamism that was somewhat absent from last year’s Flaws.
The Beastie Boys’s “Don’t Play No Game That I Can’t Win” gets the Major Lazer treatment.
If only “Capsize” was indicative of U.K. hip-hop at large.
A weekly playlist of the newest tracks we think you need to hear.
When I was little I used to listen to the Beach Boys and dream about moving to California.
The Arctic Monkeys’s love affair with Queens of the Stone Age’s Josh Homme continues with the official lead single from their upcoming Suck It and See.
“Believer” is a goth-tinged, synth-pop ballad that would fit comfortably in rotation alongside songs from a John Hughes movie.
One of our favorite indie labels, Paper Bag Records, has released a track-for-track cover of Madonna’s True Blue album.
Navigating through the selections playing below Canal St.—or actually, this year, at the Clearview Chelsea—isn’t for the faint of heart.
Make Some Noise” is your archetypal Beastie Boys tune.
Leave it to Fucked Up to illustrate so neatly that accessibility doesn’t have to herald the loss of credibility.
“Brick By Brick” is a promising first piece in Arctic Monkeys’ “vintage” jigsaw.
“Stolen Dog” effectively balances ambient and trance atmospheres.
The slate showcases a geographically and aesthetically diverse range of films by neophyte auteurs.
I’ve been fairly immune to Gossip’s infectious dance-punk, but with her new solo EP, singer Beth Ditto has put me completely under her spell.
Well, Ferreira is finally making her proper stateside debut this month with a five-track digital EP.
The title of Mogwai’s new album acts like a primer for the band: heavy, defiant, with just a hint of black humor.
“Love What Happened Here” proves that the 22-year-old likes making twitching club tracks just as much as headphone masterpieces.
“Perfect Life” is Belong’s poppiest effort yet, but there’s no mistaking the dirty, clinging crunch of each instrument for the work of any other group.