No one needs to tell you the sea change in the realm of music videos and how we all consume them in the 21st century.
The year delivered a cinematic bounty for those intrepid enough to venture outside their staid megaplex comfort zones.
It’s hard to pinpoint the exact source, but the music landscape of 2009 is perhaps best characterized by its slipperiness.
Look after the jump for a full list of posts.
It once again brings something like the best—or at least most talked about—Cannes offerings across the pond for their American premiere.
Every year, New Directors/New Films showcases the latest works from directors more or less new to the cine-block.
Duffy’s got a solid shot at all three of the categories she’s nominated in.
At this point on the chronometer of pop culture, better to just come clean.
For every project finished there are numerous others abandoned or left incomplete.
The year’s best music reflects the spirits of hope and change that will likely define 2008.
This year’s edition seems most conspicuous for not bearing the teeth marks of Dario’s daughter Asia.
Staying Alive, the curiously delayed and universally derided sequel to 1977’s Saturday Night Fever, isn’t as bad as you’ve probably heard
So is Krull one of the last great “cheesy” fantasy epics?
Now only twilight and sunset.
Now in its 37th year, ND/NF kicks off tonight with a screening of the Sundance Film Festival prizewinner Frozen River.
This podcase was recorded as part of House contributor Kevin Lee’s endeavor to watch the 1000 greatest films of all time.
Another trend that persists is the allotment of at least one spot to a Sundance prizewinner.
The presence of an Alex Cox sidebar hints at the series’s anarchistic strivings.
The Recording Academy no doubt has oodles of tedium in the works for us at this year’s Grammy Awards ceremony.
It’s Patrick Wolf who earns our pick for Album of the Year for following two impressive records with one that’s even more extraordinary.