Suggestions

  • About
  • Masthead
  • Donate
  • Media Kit
  • Terms of Service
  • Privacy Policy
  • Film
  • Music
  • TV
  • Games
  • Video
  • Theater
  • Features
  • News
  • Lists
  • Books
  • Donate

Paul Attard

Paul Attard is a New York-based lifeform who enjoys writing about experimental cinema, rap/pop music, games, and anything else that tickles their fancy. Their writing has also appeared in MUBI Notebook.

White Noise

White Noise Review: Noah Baumbach’s Self-Regarding Adaptation of a Classic

by Paul Attard
October 5, 2022

The film rarely articulates the book’s ideas with any real sense of the outside world without resorting to easy exaggerations.

Bladee, Spiderr

Bladee Spiderr Review: A Deliriously Tumultuous Sugar Rush

by Paul Attard
October 4, 2022

For those willing to go along for the turbulent 13-track ride, the album ranks as one of the rapper’s most exciting releases to date.

Freddie Gibbs, $oul $old $eparately

Freddie Gibbs $oul $old $eparately Review: The Whiff of Excess

by Paul Attard
October 2, 2022

Even with all of its expensive-sounding beats, the album is frustratingly unambitious.

YG, I Got Issues

YG I Got Issues Review: Putting the Toxic in Masculinity

by Paul Attard
September 30, 2022

The rapper’s sixth album finds him getting defensive before the first track’s drum kick even drops.

Cam'ron and A-Trak, U Wasn't There

Cam’ron and A-Trak U Wasn’t There Review: A Self-Aggrandizing Collaborative Album

by Paul Attard
September 26, 2022

Cam’ron is content to take a victory lap, often restating his now decades-old accomplishments.

EST Gee, I Never Felt Nun

EST Gee I Never Felt Nun Review: A Workmanlike but Redundant Rap Album

by Paul Attard
September 21, 2022

The title of Gee’s first studio album indicates his continuing disassociation from his emotions.

Caroline Shaw and Attacca Quartet, Evergreen

Caroline Shaw and Attacca Quartet Evergreen Review: Deep-Rooted Emotional Resonance

by Paul Attard
September 19, 2022

The album stirringly demonstrates that the emotional resonance of Shaw’s music remains steadfast and unwavering.

Nav, Demon Protected by Angels

Nav Demons Protected by Angels Review: Combative but Passionless

by Paul Attard
September 13, 2022

The rapper’s bark is far worse than his bite, resulting in a lot of bluster but little follow-through.

DJ Khaled, God Did

DJ Khaled God Did Review: Pure Maximalism for Its Own Sake

by Paul Attard
August 30, 2022

The album lacks an organized artistic vision, or at least a sense of purpose beyond engaging in purely attention-grabbing theatrics.

The Game, Drillmatic

The Game Drillmatic Review: A Bloated, Chest-Thumping Ode to Modern Hip-Hop

by Paul Attard
August 19, 2022

When he’s run out of ideas, the Game predictably resorts to antagonizing real or imagined foes.

Calvin Harris, Funk Wav Bounces Vol. 2

Calvin Harris Funk Wav Bounces Vol. 2 Review: A Colorful but Nebulous Playlist

by Paul Attard
August 10, 2022

The Scottish DJ’s latest album has a few superficial charms going for it—and not much else.

Previous 1 2 3 4

Most Recent Posts

  • Nicki Minaj, Pink Friday 2
    Nicki Minaj Pink Friday 2 Review: Less a Sequel Than an Identity Crisis
  • The Best Music Videos of 2023
    The Best Music Videos of 2023
  • The Conformist
    Review: Bernardo Bertolucci’s Political Thriller The Conformist on Raro Video Blu-ray
  • Leave the World Behind
    Leave the World Behind Review: An Apocalypse Thriller That Thinks It’s Smarter Than It Is
  • Wim Wenders on Anselm and Perfect Days
    Interview: Wim Wenders on the Philosophies Guiding Anselm and Perfect Days

Sign Up for Our Weekly Newsletter

Footer Logo

© 2023 Slant Magazine

  • About
  • Masthead
  • Donate
  • Media Kit
  • Terms of Service
  • Privacy Policy
  • Home
  • About
  • Donate
  • Film
  • Music
  • TV
  • Games
  • Video
  • Theater
  • Books
  • Features
  • News
  • Giveaways