Criterion’s 2K restoration of Pedro Almodóvar’s breakthrough feature looks gorgeous.
It recognizes that the thinly veiled secret of Wolverine’s loner act is that he’s always been a cog of some kind.
The finest American teen film in at least a generation, The Edge of Seventeen arrives on home video ripe for discovery as a new cult classic.
Criterion’s home-video release provides Johnson’s elliptical, ruminative documentary with the swift canonization it deserves.
The film remarkably balances its predecessor’s spartan characterizations and plotting with an expansion of scale.
The film is an unbroken chain of one-liners, sight gags, and pop-culture references, and the hit-to-miss ratio is high.
The Amma Asante film’s broad sociopolitical overview is balanced by the intimate attention paid to the leads.
This socially observant chess drama looks spectacular on Disney’s Blu-ray release.
The restoration of Sembène’s seminal debut feature makes this disc an early highlight of Criterion’s 2017 slate.
The action builds to such a head that even the serious stakes of the film’s motivation give way to pleasant vibes.
Live by Night adds a new wrinkle to the well-traveled terrain of the mafia film: the woke gangster.
However disjointed Railroad Tigers can be, the film offers a much-needed reminder of Jackie Chan’s prodigious gifts.
Ferrara’s grisly exploitation feature belies an iconoclastic vision that’s all the more easily spotted in Arrow’s gorgeous 4K restoration.
Buñuel’s satiric masterpiece ushered in the director’s mature period, and Criterion’s solid Blu-ray ably preserves its cold beauty.
Compared to your average Disney princesses, Moana is neither selfishly rebellious nor simplistically innocent.
Throughout Allied, director Robert Zemeckis brings to bear his pop-epic scope in what’s otherwise a claustrophobic story.
Olive Films continues their upgraded Signature series with yet another impressive repackaging of a prior release.
John Carpenter’s Lovecraftian masterpiece finally receives its home-video due with an exceptional A/V transfer and a slew of extras.
Nothing that Marvel Studios has produced can compare to the visual splendor of Scott Derrickson’s film.
Ron Howard’s adaptation retains the essential inanity of author Dan Brown’s source material.