Ellen Bruno has spent almost 20 years making films about chaos and renewal in Southeast Asia, all rarely seen.
Coffee Date is further confirmation that gay men in Los Angeles have way too much money to throw around.
Trekkies believe in a curse on odd-numbered Star Trek movies.
Luc Besson’s Arthur and the Invisibles clears the smog left behind by the year’s dubious family entertainments.
A Scanner Darkly looks sweet, but it’s scarcely penetrating.
The perfect Christmas present for your best gay or that special girl-gone-wild in your life.
Those who love Chéreau should not miss this exquisite chamber drama.
An obscure blast from the past, Something Wild is a narrative precursor to Roman Polanski’s Repulsion.
Charlotte’s Web tempts us to look for allegory in Charlotte’s politicking for the other white meat.
Iraq ruled not only the news but movie screens as well in 2006.
The film’s battles soar to trippy and novel heights of DIY experimental filmmaking that feel anything but old.
The most depressing season of the year officially begins in late November and carries over into the early part of the new year.
Robert De Niro’s The Good Shepherd is the second movie of this Oscar season that’s wary of cock.
Beyoncé’s range will be called into question but what about the film’s?
A nutty collection of features highlight this tight Talladega Nights: The Ballad of Ricky Boby DVD.
Larry King says, “Finally, a movie worth seeing over and over again.” I say, “I barely could get through it once!”
The film has an excellent pedigree, but when it poops it stinks of a Tim Allen movie.
This “event” picture makes sense in this culture where going to the movies has become not unlike patronizing an arena sport.
Mel Gibson is sick, but his new film profits from his weakness.
Reminiscing in Tempo is not in sync with its subject matter.