Review: Three Sisters

Wang Bing’s no-frills style of documentation visually echoes the preadolescent trio’s simple yet unforgiving world and its sense of labor as life.

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Review: Peeples

Tina Gordon Chism’s film collapses into a series of clumsy improvisatory sketches, tied up in cheap, risibly sentimental catharsis.

Review: Iron Man 3

Director Shane Black here replaces his once-acidic spite for government and bureaucracy with a call for corporate responsibility.

Review: What Maisie Knew

David Siegel and Scott McGehee’s film renders the rhapsodic Henry James novel of the same name into an abhorrent slice of tasteless familial drama.

Review: Haute Cuisine

Offers all the ingredients for a great feast of enticing visions and thematic concerns, only to have them be prepared, plated, and served with the grace of Elmer Fudd.

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Review: Just a Sigh

The weirdly direct connections made and explored are unlikely, but are performed with such engaging and strange conviction that the film nearly overcomes the thinness of its conceit.

Review: Cutie and the Boxer

Funny, moving, honest, and occasionally inspiring, but as a portrait of a talent emerging from the shadow of a more public talent, the scale of the shadow is curiously omitted.

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