If shadow delineation ever needed to look bad, it’s on this DVD.
As the film grinds on, Samuel L. Jackson starts to look marooned and eventually seems to give up trying.
Pretty and neatly wrapped, if Tiffany did television, this is how it’d be done.
New Jersey isn’t as ugly as Todd Solondz would have us believe, but it’s also not as precious as Zach Braff tells us it is here.
The best crime show out there, deserving of any and all hype.
It’s a landmark genre film for the simple fact that it shows just how scary something as simple as a mask can be.
A well-rendered package for a creepy but somewhat underwhelming film.
If you want anything more out of a DVD, then there’s just no pleasing you.
Cheap, touching, and downright nasty, Kevin Smith’s first feature still remains the ultimate cinematic tribute to slackers.
Those who got a kick out of seeing Shaggy with big breasts may want to head straight to the “Dancing Dog” feature.
Even as sentimental as the screenplay is, the film never speaks down to the child at its core.
Hey, it’s better than the Shrek films.
A quiet and small film, to be sure, but a debut that nevertheless should not be ignored.
Catch That Kid? Let’s not.
The film scarcely bothers with the rudiments of plot before streaking off into the atmosphere.
Fans will rejoice, even if they didn’t think the film was that funny.
To say that the second Scooby-Doo movie is an improvement over the first isn’t really much of a compliment.
The film wants to laugh at all the bloody gore and T&A on display, but to still leave plenty of bloody gore and T&A on display.
Ella Enchanted is a ramshackle mess that is all the more frustrating for those brief times when it pulls itself together.
The film ultimately comes off as a crass amalgamation of all its influences, The Italian Job with go-karts instead of Mini Coopers.