This box set draws some much-needed attention to Damiani’s often overlooked work.
This set is another rewarding trek into less-traveled genre terrain from Arrow Video.
52 Pick-Up gets a sharp new presentation and some welcome bonus materials from Kino Lorber.
This release represents a considerable A/V upgrade over Shout! Factory’s 2013 Blu-ray.
To Live and Die in L.A. exhibits a remarkable degree of kineticism.
After Hours mines urban anxiety to unsettling yet often hilarious effect.
In the world of Greenaway, separation can be a terrifying thing.
Arrow’s bost set is a tantalizing sampler of Empire Pictures’s endearingly scrappy offerings.
Like many a classic noir, Caliber 9 gets a lot of mileage out of its location shooting.
Red Sun fascinatingly, if elusively, captures the spirit of a particularly fraught place and time.
Severin cherry-picks four enjoyably atmospheric films in the Italian gothic mode.
This raucous satire makes its domestic home video debut with an impressive 4K UHD transfer.
The Haunting of Julia is a melancholy and eerily ambiguous horror film.
Comencini’s film is absorbing, frequently amusing, and exceedingly well directed.
Gilliam’s visually inventive film gets a phenomenal 4K UHD upgrade from Criterion.
John Frankenheimer’s film is a propulsive examination of international terrorism.
Though different in setting and mood, both films are ruled by the uncertainty principle.
It may be flat-out bugshit, but Argento’s film looks uncannily gorgeous in 4K UHD.
The Three Colors trilogy looks more vibrant and mesmerizing than ever.
The House That Screamed is a seminal slice of Spanish gothic.