For better or worse, Lee Daniels delivers one of the year’s most unforgettable movies.
It’s not Tolstoy, but it’ll do.
The Lucky One reduces everything to a thin, useless soup, even the idealistic virtues that it aims to promote.
The Lorax’s CG style is reminiscent of Horton Hears a Who!, but boasts greater vibrancy.
What this poster truly exudes is heat.
The film is a predictably insufferable, self-congratulatory cash cow designed to be ingested and then happily discharged without a second thought.
Charlie St. Cloud stars Disney robo-star Zac Efron as a high school graduate named Charlie who can see dead people.
The film’s pleasures are to be found almost entirely in the meticulously recreated period design.
When 17 Again isn’t pilfering from its betters, it’s engaging in the most Pavlovian button-pushing.
Disney’s song-and-dance robots make the transition from small to big screen in High School Musical 3: Senior Year.
Adam Shankman keeps everything rolling, which is really saying something in this age of ground-to-a-halt musical turkeys.