So is Krull one of the last great “cheesy” fantasy epics?
I’m sure I read an interview with Russell T Davies some time ago where he referred to “The Unicorn and The Wasp” as “the first comedy we’ve done.”
The show has always given a sense that it’s willing to dispense with vital parts of its premise for an episode or two.
The film is a labor of love over 20 years in the making.
Would it be an exaggeration to call Bliss the most significant work to emerge from Turkey in the past decade?
Think Salman Rushdie with a picture deal instead of a fatwa.
The film ends in an ambiguity as absolute as our own war in Iraq.
Initially, the pig was very cooperative.
Someone Still Loves You Boris Yeltsin is an interesting band for at least two reasons.
Like Balzac or Lars von Trier, Werner Herzog is the final authority on the world around him, even when it’s a self-created one.
It’s at its best when Ahmad identifies with the innocence of youthful emotions that lack a vocabulary to express, justify, or resolve themselves.
It’s not all cold-blooded murder and nihilistic despair. After all, this is a comic adventure, even if the comedy often reeks with the stink of death.
For nearly a decade, I’ve felt a certain allegiance to Robert Altman’s Short Cuts, and I’d never seen a single frame of it.
The true test of physical beauty in a man or a woman lies in their eyes and what happens to their eyes as they advance in age.
What I love about Tanaz Eshaghian’s filmmaking is how she stands completely out of the way.
The tenuous human/Cylon alliance, in this moment, makes sense.
As a title, “The Doctor’s Daughter” conjures up exciting possibilities, but as an episode it leaves the viewer wanting more.
The President’s Analyst has aged slightly better than The Manchurian Candidate.
In America, anime is an at-home staple.
That Nina Davenport wants to draw parallels to her own situation is the very definition of presumptuousness.