The film demonstrates Argentine novelist Ricardo Piglia’s theory of “paranoid fiction.”
When the film isn’t suffocating itself with world-building, it’s wholly given over to corny fan service.
Kino’s 4K disc maximizes the sickly beauty of this definitive film version of Jack Finney’s novel.
Criterion’s lush transfer makes it clear now, more than ever, that Deep Cover is one of the great American thrillers of the early ’90s.
The new game will allow players to build, for the first time, their parks beyond the confines of the Muertes Archipelago.
The disc perhaps definitively contextualizes the moral urgency of the film’s intricate aesthetic.
For all its emotional restraint, Rick Alverson’s film builds to a point of remarkable pathos.
The extras on this edition of Jurassic World: Fallen Kingdom feel almost as dully prescribed as the film itself.
Throughout the film, director J.A. Bayona draws on the childlike fear of things that go bump in the night.
Its future setting is an empty pretext for a banally convoluted and sentimentalized show of emotional restoration.
The innate imperfection of canine hair gives Wes Anderson’s lovingly crafted dioramas the illusion of life.
Thor: Ragnarok is the flamboyantly roller-disco entry in an already uncomplicatedly cartoonish side franchise.
Shout! Factory’s disc is an attractive restoration of a funny and terrifyingly sensual portrait of conformity.
Independence Day: Resurgence does nothing satiric or fleetingly parodic with the notion of a world united in the midst of alien annihilation.
Jeremiah was a bullfrog and the film should have stayed on ice, but the new 4K transfer from the Criterion should give fans enough reason to reunite.
This release is almost certainly a placeholder for a more illuminative future Criterion edition.
Criterion’s upgrade of Anderson’s ambitious The Life Aquatic with Steve Zissou is one of the label’s finest packages.
As always, Wes Anderson places his trademark precision in direct confrontation with the chaos and confusion menacing his characters.
Nashville is one of the most revealing portraits of America ever made, and it’s never looked or sounded this good.
Few directors are as enamored with the passage of time and the preservation of memory as Richard Linklater.