Threaded alongside the show’s meta commentary was a poignant look at loneliness and purpose.
What’s immediately clear is the actress isn’t bound at all by genre.
Year four sees the characters preparing for some big adjustments, yet they remain as endlessly idiosyncratic and curiously heartwarming as ever.
I suspect that the children’s book this is based on is probably a charmer, and I can see why kids would love it.
Mary Harron brings nothing distinctive to the episode, which looks like the rough cut of a Lifetime Network Christmas special.