I’d hoped to mention the below scene from Munich in my Kingdom of the Crystal Skull review, but couldn’t find an entry point. An addendum, then, as slightly remixed photo essay. A sequence from a work prior that I recall in reflection on Spielberg’s latest. A key, perhaps, to the labyrinth.
I
II
III
IV
V
VI
VII
This article was originally published on The House Next Door.
If you can, please consider supporting Slant Magazine.
Since 2001, we've brought you uncompromising, candid takes on the world of film, music, television, video games, theater, and more. Independently owned and operated publications like Slant have been hit hard in recent years, but we’re committed to keeping our content free and accessible—meaning no paywalls or fees.
If you like what we do, please consider subscribing to our Patreon or making a donation.
Since 2001, we've brought you uncompromising, candid takes on the world of film, music, television, video games, theater, and more. Independently owned and operated publications like Slant have been hit hard in recent years, but we’re committed to keeping our content free and accessible—meaning no paywalls or fees.
If you like what we do, please consider subscribing to our Patreon or making a donation.
