Carter Smith’s The Ruins has something going for it, but that something is not, unfortunately, sympathetic characters. Directed by Smith from Scott B. Smith’s screenplay (based on his own book), this newest horror film about vacationing Americans in foreign-locale trouble focuses on the supernatural terror encountered by med school-bound Jeff (Jonathan Tucker), his unfaithful girlfriend Jena (Jena Malone), her best friend Stacy (Laura Ramsey) and Stacy’s beau Eric (Shawn Ashmore) upon venturing into the Mexican jungle in search of an “off the beaten path” Mayan temple. This excursion is orchestrated by a friendly German and his Greek pal, a setup that suggests that these Yanks are in for a Turistas-style ordeal in which their arrogant entitlement will be brutally punished, which would be appropriate given that the happy-go-lucky opening scenes reveal them (and especially the deceitful Amy) to be shallow, disagreeable ditzes.
The ensuing life-and-death predicament, however, is less didactic and surprisingly more potent. Upon reaching the temple, the group is surrounded by stereotypically menacing natives who callously commit murder, thus sending the remaining five travelers scurrying up the temple, where they’re trapped and, soon thereafter, become sacrifices for the hungry vines that cover the ancient edifice. The vines’ primary method of attack provides the film with unexpected metaphorical heft, as the sightseers’ casual lack of respect for Mexico’s land and culture is violently rectified by these ancient organic forces’ literal infiltration of their bodies and brains. The film’s concentration on panic-inducing bodily invasion and corruption rather than jolt scares provides escalating anxiousness, especially once the protagonists’ survival tactics—which amount to a series of ever-worse decisions driven by exhaustion, fear, and stupidity—start involving amateur surgery. Alas, Smith’s depiction of deteriorating-under-pressure group dynamics comes to an abrupt end just as it gets going, a disappointing development considering that his other mode of generating tension, the unholy vines themselves, can’t help but seem cheesy, especially once their unusually talented flowers begin vocally parroting both their human prey and cellphone ringtones.
Image/Sound
Skin tones vary in quality but color saturation is stellar (sunset scenes are especially impressive). Ditto the black levels and shadow delineation. Dialogue is a little uneven (prepare to crank up the volume at times), but the surround design is lush throughout.
Extras
Among the deleted scenes included on this disc: the film’s actual theatrical ending and an alternate one that’s more of an addendum to the ending that caps the unrated version of the film. (The alternate ending makes clear the unspoken but obvious reason why the Mayans attack the story’s young adventure hunters, but it’s still preferable to the ending buyers of this unrated version will get to see.) On the commentary track by director Carter Smith and editor Jeff Betancourt, Betancourt behaves more like an interviewer, a fact the forthcoming Smith acknowledges early on: It’s a revealing enough track that maintains a light tone even though Smith gives frank expression to all the sexual themes he wanted to convey and the genre pitfalls he wanted to avoid. Pity Bugcrush, which was responsible for landing him this gig, isn’t among the extras, but the director’s short film is discussed on “Making The Ruins” by executive producers Trish Hoffman and Ben Stiller, who mentions how Steven Spielberg had brought it to his attention. Other extras include the featurettes “Creeping Death” and “Building the Ruins” and a series of previews.
Overall
Filmmaker Carter Smith is going places, something which can’t be said about the characters in The Ruins.
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