DVD Review: Harold Ramis’s Analyze That on Warner Home Video

It’s sad but not surprising that the best part of this Analyze That package is the dorky mob game in the features department.

Analyze ThatSeeking to capitalize on the popularity of films with huge box office returns, motion picture studios are wont to dip into the well more than once to get every last drop of potential revenue from their movie franchises. Oftentimes, there’s nothing left to milk and the studio ends up merely wasting its time, talent and money. Fortunately, that is not entirely the case with Analyze That, the amusing sequel to director Harold Ramis’s $100 million-plus grossing comedy Analyze This. While not as fresh or genuinely funny as the first, the follow-up has plenty going for it, most notably the surprising ease with which the cast reprise their original roles. The Odd Couple-ish relationship between impulsive, former mob-boss Paul Vitti (Robert De Niro) and his former-now-current suburban therapist Ben Sobel (Billy Crystal) feels incredibly natural. In This, Crystal’s straight-man therapist worked to get to the bottom of De Niro’s comical neurosis. In That, each man faces a life crisis (Sobel’s father has just died, causing him to question everything, and Vitti is marked for death while serving time in Sing Sing) and leans on the other for emotional help. Vitti gets an early release from prison by acting crazy as a loon. Subsequently, he’s placed into the custody of the reluctant and increasingly neurotic Sobel. Vitti pulls out all the stops in a dual quest to get a “normal” job and find out who’s trying to kill him. This is when the fun is supposed to start but, for some reason, the movie never seems to really take off. Oh, it has definite moments (see Crystal eat and talk with a semi-paralyzed mouth and watch as De Niro takes a shot at a few show tunes), but far too many jokes fall flat or were entirely given away in the film’s trailer. The film is burned by endless slow patches and, ultimately, feels painfully routine. For a comedy, there are perhaps too many mouth-gaping instances of out and out cold-blooded violence. Still, Analyze That contains enough sparks of originality and New York gangland-style humor to brighten even its dullest moments (plus, Crystal has a way of being funny even when he’s trying not to be). As far as movie sequels go, Analyze That makes for a mostly tolerable showing, but falls just short of hitting that game-winning home run.

Image/Sound

Analyze That’s 1.85:1 theatrical aspect ratio is presented in anamorphic widescreen on this DVD edition (a separate fullscreen version is available). Blacks are solid and skin tones are accurate and while some edge enhancement is noticeable here and there, the overall transfer is near spotless. The Dolby Digital 5.1 surround track is equally competent. Dialogue is perfectly discernable and surround effects are well balanced.

Extras

Here, Harold Ramis offers what could be the worst commentary track recorded for a DVD. Once you get past the awkward introduction, it’s progressively downhill. Ramis talks so little on this commentary track you may as well be listening to the film’s original audio track. Then again, what could anyone have to possibly say about a film like this? Also included here: a mundane making-of featurette and a cutesy M.A.D.E. game that will test whether you have what it takes to be part of the mob.

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Overall

It’s sad but not surprising that the best part of this Analyze That package is the dorky mob game in the features department.

Score: 
 Cast: Robert De Niro, Billy Crystal, Lisa Kudrow, Joe Viterelli, Joe D'Onofrio, William DeMeo, Richard Maldone, Moet, Cathy Moriarty  Director: Harold Ramis  Screenwriter: Peter Steinfeld, Harold Ramis, Peter Tolan  Distributor: Warner Home Video  Running Time: 96 min  Rating: PG-13  Year: 2002  Release Date: May 13, 2003  Buy: Video, Soundtrack

Roxanne Blanford

Roxanne Blanford is a writer, marketing communications professional, copywriter, and versatile storyteller.

Ed Gonzalez

Ed Gonzalez is the co-founder of Slant Magazine. A member of the New York Film Critics Circle, his writing has appeared in The Village Voice, The Los Angeles Times, and other publications.

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