These shows prove the marathon-watching juggernaut’s concern for both quantity and quality.
Images fixated on agitation abound in the episode’s early stretch.
“Slabtown” ended up raising more questions than it answered.
It spirals toward the conceit the series has always used to frame its chase down the rabbit hole of American foreign policy.
In “Dark Water,” showrunner Steven Moffat begins the process of drawing together the threads of this season of Doctor Who.
It struggles to stake out new territory, but emerges as an absorbing portrait of internecine squabbles during an ostensible Cold War thaw.
Creators Ryan Murphy and Brad Falchuk seem to forget that if everything is “shocking” and “subversive,” then nothing is.
An honest tearjerker that treats its characters with respect, according them a great sense of wounded, tattered dignity.
The series has settled into a relaxed middle age, and one of the pleasures of tuning in at this late stage is the comfort of the familiar.
The episode merely bides time until the bloody series finale and leaving viewers in a state of disorientation.
It keeps up Doctor Who’s tradition of placing its most off-kilter episodes just before the season finale.
A startling reminder of just how seriously the series takes murder, even in regard to people who would happily eat your grandmother.
Tonight’s episode of Homeland ably frames its accelerating narrative as a clash between competing intelligence agencies.
Alex Gibney’s Mr. Dynamite is a strikingly varied and substantial portrait of an intensely complex artist.
With “Edward Mordrake (Part 1),” Freak Show plays to its strengths, sounding its themes through action rather than talk.
While Bobby’s fate is left in the balance, the fact remains that Jax and his leather-clad brethren can no longer deny who has the upper hand.
Constantine’s title character comes off as too cool to be genuinely troubled, and the series similarly feels as if it’s putting on airs.
New writer Jamie Mathieson delivers an intriguing and suspenseful standalone episode with “Flatline.”
There’s no denying the eerie pull of that last scene, the true horror of cynicism and paranoia turning humans into eaters of their own flesh.
Tonight’s episode of Homeland transforms the laborious setup of “Shalwar Kameez” into a precipitous cascade of new developments.
As immersive as it is overstuffed, The Knick’s season finale opens on the anxious face of the hospital’s secretly pregnant benefactor.